Locke
Compagnie Cecilia
dates
Thu 12.03, 23:53
Thu 12.03, 23:53
duration
140 min.
language
NL spoken
Info
Ivan Locke, a conscientious contractor and a good father, one evening leaves from work. At the junction where he normally turns left, he decides to turn right. What follows is one of the greatest movie scenarios ever in terms of structure and characters (written by Steven Knight, the man behind Peaky Blinders). During the hour and a half drive, we learn step by step what drives Ivan to put his entire life on the line.Locke is about taking responsibility and considering certain principles of paramount importance in a never-ending search for truth and truthfulness.
Each night, actors Tom Vermeir and Koen De Graeve toss each other for who is going to be the so-called ‘B-actor’, taking up six supporting roles, and who is going to be Ivan Locke, the leading part and so-called ‘frontman’, being surrounded by a four-headed rock band. Steam-driven by its original score, Locke ultimately balances on the verge of concert and theatrical performance. Directed by Yahya terryn, the performance has an important visual component, somehow creating a comforting yet uncompromising road movie aesthetic.
Credits
Text & direction Yahya terryn | With Koen De Graeve & Tom Vermeir | Live music Ben Brunin, Frederik Heuvinck, Luk Vermeir & Johannes Verschaeve | Dramaturgy Daan Borloo | Scenography Sam Declercq | Costumes Ellen Kromhout | Sound Saul Mombaerts | Light & video Bram Geldhof | Photography Kurt Van der Elst | Design poster Mario Debaene | Technical coordination Tom Declercq | Production coordination
Vicky terryn | Production Compagnie Cecilia | Co-production Perpodium | With the support of Flemish Government & City of Ghent & Taxshelter van de Belgische Federale Overheid
Jury
Everything is right: the flawless directing of terryn, superb acting and a steamy soundtrack that turns the ride into a physical experience.
—#jury20
Pers
A car ride that changes your life.
—De Standaard
Locke is so powerful because it opts for simplicity in text, in play, in music and in direction. But it is out of simplicity that the most powerful theatre is born.
—Focus Knack