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From the jury
“Haribo Kimchi is not just playful and comforting, not merely personal or political, not simply light or heavy, bitter or sweet – it is all of that at once. Perfectly balanced, like the exquisite flavor of umami.”

The surprising flavor of seaweed soup, the sharp sound of a knife slicing cucumber, the hiss and sizzle of mushrooms on a scorching fire.

In Haribo Kimchi, we find ourselves in a pojangmacha, one of the typical late-night snack bars found on the streets of South Korea. There, we meet three characters—a snail, a gummy bear, and an eel—who take us on a culinary journey, exploring food as shelter for those dislocated from their culture. In a series of intimate, absurdist anecdotes, they recount the evolution of kimchi culture, the bitter pain of unadulterated racism, the shame of trying to blend in and the deep umami taste of home.

After his Hamartia Trilogy (2021), which delved into the far-reaching imperialism in East Asia, South Korean theatre maker and composer Jaha Koo returns with his newest creation. In a hybrid style that combines music, cutting-edge video, and robotic performers, the artist reflects on cultural assimilation with all its conflicts and paradoxes. In an exceptional performance that plays with all the senses, he serves up personal stories marinated in sweet-and-sour melancholy.

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